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Dateline: July 1, 2005
Beadwrangler Insider Report
Inside
Beads |
Greetings! Hi
Everybody, have I ever missed you...I beadjest you not. I hope you are
having a great time beading this year!
| Inside
Beads has been updated. All the information and description about
beads, the bead guide and fiber guide are linked at the bottom of this page.
Inside Beads is now dedicated to bead fun! The latest in beading; new
creations I have made plus those my friends have made with materials such as
polymers, glass and fiber to create polyhedrons, trading cards and other
doodads; beading ideas; bead hunts; Beadwork Sampler updates and whatever
else comes to mind. Contributor bead articles will be included here.
Welcome to my Bead page! |
You will find beading supplies at my
Beadwrangler
Mall which also contains extensive information pages on beads, thread,
needles and lots more!
Bead Hunt, Ghana Trip, Contributor Rebecca Coombes
Rebecca was kind enough to contribute this article about
her bead adventures in Ghana. I felt like I was right there with her as I
read her article. I laughed through all her adventures and loved the
photos and her stories. This is a real treat for all of us, especially
since many of us can not travel for bead hunts. We all appreciate
Rebecca’s contribution.
You can visit her website at
www.mybeadyeye.com. Check back at
Beadwrangler.com, Inside Beads, for more of Rebecca’s bead adventures.
The
Ghana trip January 2005
1.
2.
1. young girls in Agomayna market 2. cleaning the
beads in Cedis Bead Factory
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For the bead enthusiast and Collector there can be few countries as exciting and
rewarding as Ghana in West Africa. Not only does Ghana have a democratically
elected government, it is also mainly English speaking, and is a very safe and
interesting country to travel in.
The beads that may be found in the
markets came to Ghana via 3 different routes.
1.
Brought in along the Arab trans-Saharan trade routes. Types of beads
include Indian, Islamic, Egyptian, and Roman. Traders from other African
Countries such as Mali and Nigeria took Agate, Carnelian and Granite beads to
Ghana. Powder Glass
Kiffa beads were imported from Mauritania.
2.
Originating in
Ghana – Evidence of bead
production comes from stone beads excavated in rock shelters used around
3000-2000B.C. Later excavations in the Akuapem Hills found shell, stone
and glass beads from 1600AD. Bauxite, mined locally was used to make many of
these beads and they can be found for sale in most of the bead markets that we
visited. Glass bead making in Ghana seems to have begun in Begho in the
north about 700A.D, but future excavations could reveal older glass beads than
this. Gold beads made around1400AD have also been found. Lots of old glass
Ghanaian beads can still be bought in the market, but it can be extremely
difficult to distinguish the old beads from those made recently. Generally
older beads will be more chipped and pitted. Colours available to West African
bead makers also offer us a clue to the origin of a bead. Yellow, green, pale
blue, purple and cobalt blue were common and yellow beads can be dated more
easily as a later dye was much brighter. Brick red was not used and any very old
beads of this colour are more likely to be Indo-Pacific or European rather than
African.
3.
Brought in by the Europeans - First the Portuguese then British, Germans
and Dutch used to trade for slaves gold and spices. These beads were made in
Venice, Bohemia, Germany and Holland and are described as Trade Beads.
I strongly recommend that visitors
to Accra
call in at The Museum of
Archaeology located on the campus of The University of Ghana in Legon,
Accra.
The museum has an important section on beads and their history that I found
particularly helpful when it came to identifying some of the beads that I bought
in Ghana. The admission is free and it’s open on weekdays only. A recently
published book edited by Alexandra Wilson, THE BEAD IS CONSTANT, can be
bought in the University bookshop (closed for lunch from 12.30-1.30). This
excellent publication includes interviews with many Ghanaian Bead Makers and
sellers, as well as a section on the History of Beads in Ghana.
The chapter on Aggrey beads is
fascinating and I was thrilled to find one amongst a large pile of beads I’d
bought in Koforidua market.
Our
Bead Trip Itinerary
This
trip would ideally start on a Tuesday and takes at least 8 days but I recommend
allowing 14 to allow for rest days and sightseeing. It’s surprisingly easy
to get around in taxis and tro – tros, but this type of travel is not for the
faint hearted or acrophobic. All vehicles in Ghana are well past their sell by
dates, and unless you travel in a private taxi, you will be packed in very
tightly indeed!
The idea to go to Ghana to buy beads had been buzzing around in the back of my
mind for some time, but it was a chance remark at an exhibition of my partner’s
work that started the ball rolling. I mentioned to two friends how much I
wanted to go to West Africa but was nervous about going alone. David, who’d
travelled the world in his 40’s, then stayed at home to care for his invalid
mother for 20 years, immediately volunteered to accompany me. We spoke no more
about it on that occasion as I thought he was just being polite, but the next
time that we met Ghana was the main topic of conversation and I could see that
David was really serious about coming with me.
The next year saw many disruptions to my life; my father was diagnosed with
cancer and I was needed to help with his care. In June 2004 he died and I went
back home to pick up the pieces of the jewellery business I’d started the year
before. Going to Africa seemed like an impossible dream and I wrote to David to
tell him so. Luckily he changed my mind for me and we decided we would fly to
Accra in January: A good time to go as it would be the dry season; easier to
get about and fewer mosquitos.
We flew British Airways from the
UK, arriving in
Accra around 9pm it seemed to take forever to get through passport control, but
eventually we emerged into the African night. Our adventure was about to begin!
Nothing can prepare you for your first site of Africa. The smells, the heat,
the noise are all totally unique to that continent. Thankfully these are not
things you will experience in
London or New York. We were
lucky with our choice of guesthouse, which by our standards was very basic but
by standards in Ghana was luxurious. All I really cared about was a shower and
the fact that only cold water was available was immaterial. We arrived tired and
hot and after an endless crawl in the taxi through the suburbs, and were
grateful to get under the shower and sink into our beds.
The next day we’d decided to try to see the 2 markets at Kaneshie and
Markola having no idea of the scale of a market in this part of the world.
Despite the haze caused by the Harmattan blowing sand in from the Sahara Desert,
we were walking in intense heat and humidity. The roads have open sewers, which
every so often we needed to jump across while crowds of African traders loaded
with goods bumped and pushed. After 30 mins of this activity, exhaustion set in.
We did reach the outskirts of Markola but were unable to find a way in. Not a
very good start to our trip. Having been revived by an afternoon nap, we set
off by taxi for Kaneshie market which takes place on 3 floors, the bead sellers
being on the first and second floor. The stalls here were very disappointing
with only a few strands of old beads for sale. We decided not to buy and hoped
that the Koforidua Market would be more promising.
Early the next day we left by a very dilapidated land rover bound for
Koforidua at breakneck speed that forced me to spend the whole journey
looking at my feet I managed to hold onto my breakfast. Just! I daren’t look
up! The bead market here takes place every Thursday. Once in town we opted to
stay in the most upmarket hotel here, as we felt in need of pampering and air
conditioning. Even so our room was only £20 for a night. We did feel
privileged as few Ghanaians could afford even this price.
With the rising sun, we were out on the side of the road looking for a taxi.
Excitement mounting as we anticipated the wonderful beads we’d find! Jumping
into a shared taxi we headed into town. Luckily for us the other passenger was
going to the market too and was also related to one of the bead sellers. He was
an Assembly Man (local councillor) from the Manya -Krobo region and gave us
directions to his brother’s factory. Sadly our itinerary didn’t allow us to
visit but perhaps next time!
Bead sellers in Koforidua Market
Emerging from the taxi we were
amazed to see a huge lorry park full of bead sellers, some with tables, and some
with just a cloth spread out on the dirt. We were glad we’d both dressed
suitably as it wasn’t long before we were crouching in the dust searching
through piles of loose beads. I was really lucky to discover what I believe is
an original Aggrey bead buried in the mass.
In this market as in most of the others that we visited, there seem to be 3
distinct types of sellers.
1. Selling new locally
made very brightly coloured glass beads in long raffia strands. The designs seem
to vary only slightly between sellers, which I found puzzling as more variety
would cater for a greater amount of different tastes. Apparently bead sellers
have a real problem with other people copying their designs. Often when they
make a new bead, they avoid selling it in the market for this very reason.
2. Selling a mixture of
new and old beads in a very professional way with a lot of very choice beads,
but at fairly high prices (you do have the right to haggle!) These dealers will
have contacts in Europe and USA.
3, Nomadic traders,
generally men, who travel all over West Africa and have the most exciting range
of beads at the best price. They often have strands of excavated stone beads
and piles of loose beads.
I got so carried away, that I ended up buying quite a few beads from the first
stall holder we came across. This was a mistake. The best way to buy is
to visit every stall and work out which beads you want and how much you will pay
for them . It really helps to take a note book and note down the prices the
traders give, you can usually rely on them ‘inflating’ the price by at least
50%. Take your time; find a local spot (bar), sip a cold beer and then decide
what beads you’ll buy and how much you will pay for them, then go and haggle;
its great fun, really! If you do come across something very rare, don’t assume
you’ll get it for a song. The traders will have an idea of the worth, so be
realistic or you may go away empty handed. Prices do vary considerably and if
you are with a Ghanaian and can get them to buy for you, you’ll get the best
deal. Prices I paid in Koforidua were 300,000 cedis for a strand of old
Carnelian beads, 500,000 cedis for round Kiffa beads, 40,000 cedis each for a
large Chevron bead and 120,000 cedis for a strand of Venetian Feather beads. A
handful of assorted beads cost 80,000 cedis. Luckily The ATM machine at
Barclays bank is very close by! A tip I offer is to take dollars with you as
some traders will offer a considerable discount for payment in dollars. As well
as these beads, I bought Russian Blues, Early Venetian King, Faceted Czech and
Ancient Mali Granite Beads.
About 1 hour’s journey from Koforidua towards the River Volta is Agomanya, which
has a section of the main market dedicated to beads on a Wednesday and Saturday.
It opens about 9am. We stayed at Traycourt Leisure Centre, a laid back
guesthouse with a good bar and Restaurant open 24 hours in beautiful gardens.
Single rooms with a fan and shower were 60,000 cedis.
It’s easy to Agomanya by
tro-tro or the owner will phone for a taxi. On the other side of the road from
Traycourt are 2 bead shops selling a range of glass beads from 5,000 cedis.
There is very little hassle to buy here so it’s pleasant to browse!
Agomayna on market day
is the usual African crush. To find the beads, ask any of the stallholders,
better still, buy something from them and they’ll be even more helpful!
We recognised some faces from Koforidua but there were plenty of other
sellers too. Luckily we passed by the first stalls and eventually discovered a
stall standing slightly apart from the rest. The beads here were being sold by
a curious group of men, much more laid back than their female counterparts; in
fact one was lying asleep across the back of his stand! These beads were more
exciting than any we’d seen so far. As well as most types of European Trade
beads, there were stone, shell and amber beads from across the continent. I was
tempted by 3 strands of huge Adventurine beads bought from Mali. It was
only the $700 that held me back and when I checked with a few bead sites in the
UK, I found similar strands for much less. What I did buy was a long strand of
spectacular disk shaped beads made from amber recovered from a river in Guinea
Bissau, some red and black Venetian Chevron beads and Mali Wedding beads.
Packing away my beads, I spotted necklace of old white agates for 300,000. I
couldn’t get the seller to come down at on these, but just as we were about to
leave, my friend tried offering dollars. It did the trick the priced was halved
and we left happy.
When you’re in Agomanya it’s easy to get to the Cedis Bead Factory by
hoping on a tro-tro outside the market, which drops you off at the end of Cedis
driveway. If by now you’re exhausted by all the haggling in the market, a taxi
will take you all the way. Cedis is one of the many bead factories in this area
welcoming visitors. Here you can see how powder beads are made; a technology
that’s not changed in decades. A big wood fired kiln is used to melt the
powder glass in their little round mould, then they are quickly pieced while hot
to create a stringing hole. The people who work at Cedis will be very happy to
explain the techniques to you and there’s a showroom where you can buy.
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1. 2. 3.
Cedis
bead factory
1. cleaning bead in sand 2. how powder
beads are formed 3. welcome!
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Our next market was in
Kumasi,
but as this was a daily affair, it didn’t really matter when we got there. We
spent a few very pleasant days by the River Volta, relaxing and ogling our
purchases. A trip up to the Volta dam takes about 30 minutes and The Maritime
Club is a peaceful watering hole by the lake. Boat trips can be arranged here
for 200.000 cedis, but we just idled away an afternoon drinking cold beers and
watching butterflies. Very pleasant! |
1.
2.
Kejetia market 1. bead strands on sale 2 .Interior
walkway
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To reach
Kumasi
we decided to head back to Accra and catch a very luxurious, by Ghanaian
standards, STC coach which takes 5 hours. Unfortunately, although the line is
still there, the railway no longer runs so a coach is the only option for this
long journey. Tickets must be bought before travel, and as the service is so
popular, either get there very early or buy the day before you travel. If you
do get stuck there, we can recommend the canteen serving Ghanaian dishes like
yam and plantain for around 16,000 cedis.
Kumasi is a large vibrant town that feels much hotter than
Accra as it’s inland. All around the town is lush vegetation and the remnants
of the tropical rainforest that once stood here. It’s possible to make several
day trips to visit nearby reserves or to
Lake
Bosumtwi,
created by a huge meteorite.
Getting around
Kumasi
is a great deal easier than Accra. The layout is very ‘European.’
Old colonial buildings are still dotted about in a pretty dilapidated state, but
still retain much of their original charm. Unless you like noise, it’s best to
stay out of town in one of the very pleasant lodges along The Old Beckwai Road.
In town The Catering Rest house occupies a quiet position, so
would make a very convenient base, as it’s possible to walk from here to Kejetia
Market.
Kejetia Market
is reputed to be the largest in West Africa and certainly not for the faint
hearted even with a guide! The hassle factor is virtually non-existent, but
walkways within the market are so narrow, it’s difficult to avoid collisions
with loaded market traders and buyers that could result in you getting pushed
into a sewer! Or as happened to us, showered with hundred of tiny died fish
from a sack being carried splitting open!
Rather than go through the whole market, which sells mainly food (avoid at all
costs the meat section), fabrics and household products, we entered from an area
called Roman Hill where a small lane step steps lead down into the bead
zone. Unlike Koforidua and Agomanya, the bead sellers are not
grouped in one area but are separated by stalls selling other goods. We found
the prices and selection of beads superior to elsewhere. As usual in these
markets, once you’ve finished looking at one stall, there will be someone close
by waiting to lead you to his brothers/friends stall! You will be too big a
prize to escape this attention!
It’s possible to buy almost every type of Trade Bead here as well as stone, Indo
-Pacific and Islamic beads. The only draw back is the little shops where the
beads hang are so dark, it’s impossible to tell exactly what the beads are.
Take a torch if possible! We found the best thing to do was to sit down in the
shop entrance and get the owner to bring us strands to inspect. My purchases
here included some huge old White Agates for 120,000 cedis, Red Elbow beads for
140,000 cedis, Venetian Fancies and some very interesting striped powder glass
beads for 140,000 cedis. We left the market worn out, but happy and also
relieved that we had actually found the way out!
Back at our hotel I spread the beads out on my bead. Some were familiar to me;
Venetian Millifiori, Carnelians, Elbow Beads, Chevrons and Russian Blues.
Others were a complete mystery and I still have to identify them. This is one
that I think was made in Peking. The surface is very shiny, not at all like the
Czech and Venetian beads in my collection. Or is it Indian? One thing to watch
out for when buying old strands is Indian copies of Trade Beads such as Chevrons
or Millifiori. There are some very nice Indian beads which are fine if like me
you want to include them in a piece of jewellery, but they are not the
old genuine beads, so you will need to be careful if you are buying to resell.
The website
www.Africantradebeads.com has some very good pictures of modern
production Indian Chevrons for comparison.
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Mystery glass bead
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After
Kumasi,
both back packs loaded with beads and a few days to go until our flight home, we
had time to do visit Kofrofrom where there is a tradition of brass
casting using the lost wax method. You do need a taxi to get out there and it’s
best to pay the driver to wait for you while you walk around. We were eagerly
welcomed by a group of traders who gave us a tour of their outdoor workshop.
There was quite a lot of pressure to buy here and as we were the only visitors,
it was all concentrated on us. Although we enjoyed the visit, it was very
difficult to browse, so we probably bought less than we would have if we had
been left more to ourselves. |
Moulds used for brass beads and figures at Kofrofrum
Back in
Kumasi
there’s a Culture Centre with a museum of Ashanti history that’s worth
visiting, and there are several art and craft galleries here to browse without
pressure to buy. A shady restaurant on the site is a very welcome distraction.
You can return to Accra either directly by STC or if you have time, by rail to
Takoradi, then back along the coast by bus.
My first trip to Africa has left memories that will stay with me for the rest of
my life. It’s certainly not an ‘easy’ destination to visit independently
although Ghana is certainly more straightforward than the other West African
countries and extremely cheap. Certainly from the perspective of the bead
collector, a trip to Ghana will reward all of your efforts. We did the trip
using local transport, but you could easily hire a car and driver, and don’t
forget if you see beads in the market but can’t make up your mind to buy or not,
it’s quite acceptable to ask the trader to visit you at your hotel with them
later. That way you can look at them in air conditioned comfort, although you
may miss the sights and sounds, perhaps not the smells, of the market, having by
now grown used to them.
Good bead hunting! |
At the time of our trip the
exchange rate was £1 = 16,700 cedis.
This article was written by Rebecca Coombes who travelled through Ghana with
her friend David Bungard. Rebecca runs her own jewelry design company
www.mybeadyeye.com based in Cornwall, England.
Readers are welcome to email Rebecca at
info@mybeadyeye.com with questions and comments. She is hoping to be able
to offer for sale hand made Bauxite beads from a small community in
central Ghana. Peace Corps volunteer Michael Kovalsky is working to improve the
living conditions of these people, hoping to set up a small bead making
business. Please email for more details. |
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Lydia's Bead Bits
(Vintage & New Beads and Beadwork)
Lampwork
Glass and Wire Bead People While cleaning up in my bead and fiber room, I
found things I hadn't seen in years. I knew they were there, but I
had just forgotten about them. I purchased a couple of glass beads
about three years ago and planned to work them into a necklace eventually.
When I came across these beads again, I had been thinking about little figures
and dolls, and decided to make a bead person with these two beads. I can
always cut it apart later and work it into a necklace. Meantime I have a
little creature to look at with these great beads. So here she is.
I used
non-tarnish wire to put her together. She is a little too long to we ar
as jewelry. I keep her hanging around on a stand. It was great fun
making her. I am sure
you
have a few beads that would make a little bead person too. I
wish
I could remember the person who made the beads. Unfortunately, I lost the
card with her name on it.
After I
made one, I went crazy and started to look through my stash to make more and
finished 2 more glass bead people and one crystal person.
I had a
lot of clay beads from about 8 years ago when I helped sell Ruth Poris' beads
for her family. They are painted with earth tones that work well for
bead people. I made two of them.

Take a
look at my clay people.
Wire Sculptures with beading added. I
also experiments with wire sculptures and added embellishment. I
wove the main wire
pieces on a small bead loom, then removed them and embellished them.
Th e
Two Palm Trees sculpture, at least my idea of palm trees, are bead
crocheted and stitched to the sculpture. The larger sculpture,
Just Hanging Around, has wire added to it, 4mm and
6mm druk beads strung on some of the wire strands plus a small glass
mermaid added, a gift from my friend, Tre. The palm tree
is about 2 1/4" tall and about 2 1/2" wide. The bigger sculpture is
about 2 1/4" tall and 4 1/2" wide. I had fun making them.
These sculptures evolved from a wire loom weaving class I taught.
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Polyhedron Strung
Necklace
I have had these green Chinese glass
beads for over 25 years and never found any other beads I liked to add for
stringing. Then I saw an article in Beadwork Magazine about 4 years ago
about how to make polyhedrons, and I made a grouping of some over 75 year old
4mm acrylic vintage beads. Just the other day I put them and my green
beads together and strung them on SoftFlex wire. The Chinese beads are so
light, you can hardly tell they exist and the acrylic beads are also
lightweight. I strung 8/0 seed beads between them and the necklace is all
finished. The necklace is long and super light when I wear it. The
acrylic beads are a black rainbow and pick up the green highlights of the glass
beads. This necklace will work with a variety of colors I wear. I
also made a pair of earrings to match. I hid the crimp bead inside one of the
polyhedron beads and a 4mm druk bead is right below it on the necklace.
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Local Bead Hunt
I recently visited my local JoAnn
store and found a fairy button. I decided to stitch her onto a little
amulet bag. Instead of crocheting a bag, I made one using netting with a
needle. It takes a lot longer to make a netted bag compared to crocheting
one. The stitches look a lot alike, but not the same. This little
bag is about 2" long and made of a mauve color linen. I lightly waxed the
linen while stitching it. Here is my little bag with the fairy button.
Polymer Fun

Every once in a while I take a couple of hours
and spend with friends experimenting with polymers. My experiments
resulted in a new free workshop. Check it out. In addition to the
project, I also made a small sculpture, Mojo Magi with polymer and then painted
him and used a clear matte acrylic finish so the paint would not come off.
He looks like he is spiraling out some bead fun! The same techniques are
used to complete him as those I used in my workshop. My Mojo Magi is only about
1 1/2" tall.
After making polymer people, I pulled out a clay vase I
made years ago and painted it. Now it looks like an ancient vase. I
am adding a bead crochet rope onto the vase. It is not finished yet.
The beads are a matt silver lined which work well with the paint finish.
My vase is 2 1/2" long.
Beaded Braid Necklace
I
am donating a bead braided necklace for raffle at the crochet and knitting
conference in Oakland, CA, in July. Warm Up America will receive the
proceeds from the raffle. Warm Up America is nonprofit program to
help the homeless and underprivileged with warm afghans and blankets.
Yarn is purchased with the proceeds and crocheters and knitters make up
squares of yarn that are then worked together to make the afghans and
blankets. The crochet and knitters also make hats for chemo
patients. This necklace was a fun experiment. The instructions
for making a basic bead braid is in my Free Workshops. Enjoy.
“Beadwork Samplers” – Lydia & Barb
Barb
and I are both back on the Beadwork Sampler trail. We will be adding two
samplers this year.
My newest
sampler is Flat Circular Brick Stitch. It is almost impossible to make
duplicates of a sample due to the nature of the beads and the stitch. This
is a great stitch, however, and you can combine several of them and work them
with other beading stitches to create beautiful beadwork. Once you start,
you will not want to stop making them. Check my Beadwork
Samplers for this new sample.
Barb will be
completing a sampler later this year and her stitch will be a surprise.
I have included
the instructions and examples for mounting your samplers onto counted cloth.
The samplers are much more impressive when stitched to the counted cloth.
You can do the same with your samplers.
Note: The
Bead Museum in Arizona has had a change in personnel. They now state they
can not find any of the samplers Barb sent; they are missing.
I have had no coordination with the Bead Museum in Washington DC about my
samplers Beadwork Magazine sent to them. For that reason, Barb and I will
no longer donate samplers to either museum. These samplers take a lot of
time to make, and for a museum to have no idea what they are or where they are
is not acceptable. It makes one wonder about donations when preparing a
will for one's beads, beadwork and books.
When you are
making Beadwork Samplers on my beadwrangler website, please email me if you have
any problems with the instructions. Be sure and tell me which paragraph or
section you are having problems with. I will check them for accuracy and
be glad to help you.
Bead Society of Great Britain (BSGB)Newsletter
BSGB's
issues are chocked full of information. There is no magazine currently
published with historical information about beadwork with the exception of
Piecework, which always includes historical information about fiber related
items and occasionally vintage beadwork. The BSGB newsletter is
dedicated to providing historical information about beads and beadwork to their
members. Most of the newsletter is black and white and there are usually a
couple of pages that are in color. The black and white photos are clear
enough to see detail on vintage items.
I save every issue and use them as reference material
when researching beadwork history. My membership to BSGB has been well
worth every cent. I highly recommend their newsletter if you are
interested in more information about beads plus beadwork history. To visit
their website click on
http://www.beadsociety.freeserve.co.uk .
You can get back issues from BSGB.
See also....
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